To say that the Pine Hill Haints are the greatest artists to ever come out of Alabama would be unfair in that it limits the Haints to Alabama. Their vision can, at times, be hard to swallow. Not quite familiar and not quite foreign, the Haints tap elements of bluegrass, classic and alt country, honky tonk, rockabilly, American and Irish folk, calypso, punk, and grunge. They play in Genre Purgatory. To describe their sound, the Haints themselves have coined the phrase “Alabama Ghost Music” but such a label suggests that there exists some subculture, some ghost-music scene, in the Yellowhammer State. Really, Alabama Ghost Music is a genre of one, the Pine Hill Haints — or maybe a genre of five if you include Rise Up Howlin Werewolf, the Natchez Shakers, the Wednesdays, and Counter Clockwise (though all these bands are overshadowed by and even share musicians with the Haints).
On stage, I’ve heard guitarist/lead-singer Jamie Barrier say that they play “country music,” “sittin’ music,” “dancin’ music.” Their various roots-music influences are easy to hear. I did not tune-in to the grunge flair until Jamie started strumming the chords to Nirvana’s “About A Girl” (“I need an easy friend…”) during a soundcheck before a show in Mobile. I caught myself singing along and forever after listened to the Haints in a whole new way. Closer to the truth, Jamie has also called it “dead music.” The Haints sing the ghosts of Alabama, of the southern condition. Ghost Dance is their masterpiece.